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                <text>Lenin is portrayed as the face of the Russian Revolution.</text>
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                <text>The Beginning of the Russian Revolution</text>
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                <text>This source explains how the war began (in the midst of the first World War) as well as the events leading up to the decision for an armed uprising in Russia. Before the war, there was high demand for a social revolution in response to a failing government. Tsar Nicholas was originally the leader of the bureaucracy but did not behave like one; instead, he foolishly refused to share his power which inspired a great deal of disapproval among the people. Tsarina Alexandra and her counterpart, Rasputin, were in charge of the country after Nicholas's reign and seemed to be just as corrupt. After Rasputin had been murdered (there was a rumor that the two had been an item), riots broke out over a increased demand for more food (the food supply was low). As a result, the idea of a revolution was propagated. As the source states, anarchy was slowly replacing liberty in Russia and it was the perfect opportunity for a man like Vladimir Lenin to take advantage of the situation. </text>
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                <text>a sculpture produced by the Berlin artist in 1969. The sculpture depicts a series of black cubes forming a triangle in the Minimal Art style (Schene). The sculpture was created in three separate parts, which come together to form sharp angles, which appear to be pointing at the audience. The hardedge design of the sculpture points to the political and social realities of the time. During 1960’s Berlin, Germany was in turmoil. In 1945 Russia took over the Eastern half of Europe erecting the Berlin wall. Artists living in East Berlin were not given the freedom to produce works of art. </text>
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                <text>Schene, Eckhard. Trophy II/1969. 1969. Sculpture. Daimler Art Collection, Germany.</text>
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                <text>Over the course of more than three centuries of Romanov rule in Russia, foreign visitors and residents produced a vast corpus of literature conveying their experiences and impressions of the country. The product of years of painstaking research by one of the world’s foremost authorities on Anglo-Russian relations, In the Lands of the Romanovs is the realization of a major bibliographical project that records the details of over 1200 English-language accounts of the Russian Empire.Ranging chronologically from the accession of Mikhail Fedorovich in 1613 to the abdication of Nicholas II in 1917, this is the most comprehensive bibliography of first-hand accounts of Russia ever to be published. Far more than an inventory of accounts by travellers and tourists, Anthony Cross’s ambitious and wide-ranging work includes personal records of residence in or visits to Russia by writers ranging from diplomats to merchants, physicians to clergymen, gardeners to governesses, as well as by participants in the French invasion of 1812 and in the Crimean War of 1854-56.Providing full bibliographical details and concise, informative annotation for each entry, this substantial bibliography will be an invaluable tool for anyone with an interest in contacts between Russia and the West during the centuries of Romanov rule.</text>
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              <text>The French people, convinced that forgetfulness and contempts of the natural rights of man are the sole causes of the miseries of the world, have resolved to set forth in a solemn declaration these sacred and inalienable rights, in order that all the citizens, being able to compare unceasingly the acts of the government with the aim of every social institution, may never allow themselves to be oppressed and debased by tyranny; and in order that the people may always have before their eyes the foundations of their liberty and their welfare, the magistrate the rule of his duties, the legislator the purpose of his commission.&#13;
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>The French Revolution</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A picture depicting the king and the guillotine. &#13;
&#13;
</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Carl de Vinck (1859-19), Collector</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="7">
                <text>French Revolution Digital Archive&#13;
A collaboration of the Stanford University Libraries and the Bibliothèque nationale de France</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
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                <text>Recueil. Collection de Vinck. Un siècle d'histoire de France par l'estampe, 1770-1870. Vol. 31 (pièces 5142-5251), Ancien Régime et Révolution]</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Graphic print.</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>French</text>
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        <name>France</name>
      </tag>
      <tag tagId="3">
        <name>Revolution</name>
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