1 10 141 https://d1y502jg6fpugt.cloudfront.net/18308/archive/files/065de5875e6b642c26865ce244cd09c1.pdf?Expires=1793232000&Signature=J7sheFCZJsZB7xw3ejEt7qR2fydb62lQgXfdBkXsvEdVDjPLHfcSmsL5LHoWL%7E4P7A8sr812AcX6hAIbIUqmwj2xBfVfTplvJwrsoqozj15NDOofYzDla9D74kTcZAhfLwkZSbXy7TaAYngw2EG7YMqiSq8OmG%7E9WGmbvl2uTsTF186oCO0ESjoLm2zSHB7Ia-c1dYnJUnlRrzmPfhhKfa%7EIXyDoY5K%7EoAFN0sH1nIbesmpEH%7Ec06iVgTr2RmE4Cp2TUCv2lxFqygvd3smFJNZf6QCZ5J9a79nuJxdaIjzEKZAZ89lz7UW%7EWwsOTh13ljHnhkvfA9AsPS0BYM2GApQ__&Key-Pair-Id=K6UGZS9ZTDSZM edcb70afc59890592ec89b4ed7ad6b63 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Reflections on The Revolution in France, 1791 Edmund Burke Edmund Burke (1729-1797) is famous for his writings on the French Revolution. His Reflections, written in the form of a long letter in 1791, in a sense marks the origin of modern conservative thought. Kings, in one sense, are undoubtedly the servants of the people: because their power has no other rational end than that of the genera] advantage; but it is not true that they are, in the ordinary sense, (by our constitution at least), anything like servants; the essence of whose situation is to obey the commands of some other, and to be removable al pleasure. But the king of Great Britain obeys no other person; all other persons are individually, and collectively too, under him, and owe to him a legal obedience. The law which knows neither to Ratter no to insult, calls this high magistrate not our servant, as this humble divine calls him, but "our sovereign Lord the king"; and we, on our parts have learned to speak only the primitive language of the law, and not the confused jargon of their Babylonian pulpits. As he is not to obey us, but as we are to obey the law in him, our constitution has made no sort of provision towards rendering him, as a servant, in any degree responsible Our constitution knows nothing of a magistrate like the Justicia of Aragon; nor of any court legally appointed, nor of any process legally settled, for submitting the king to the responsibility belonging to all servants. In this he is not distinguished from the Commons and the Lords; who, in their several public capacities, can never be called to an account of their conduct; although the Revolution Society chooses to assert in direct opposition to one ol the wisest and most beautiful parts of our constitution, that "a king is no more than the first servant of the public, created by it, and responsible to it." Ill would our ancestors at the Revolution [of 1688-Ed.] have deserved their fame for wisdom, if they had found no security for their freedom, but in rendering their government feeble in its operations and precarious in its tenure; if the had been able to contrive no better remedy against arbitrary power than civil confusion. Let these gentlemen state who that representative public is to whom they will affirm the king, as a servant, to be responsible. It will be then time enough for me to produce to them the positive statute law which affirms that he is not. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Burke on the French Revolution Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document I am writing these lines on the evening of the 24th. The situation is critical in the extreme. In fact it is now absolutely clear that to delay the uprising would be fatal. With all my might I urge comrades to realize that everything now hangs by a thread; that we are confronted by problems which are not to be solved by conferences or congresses (even congresses of Soviets), but exclusively by peoples, by the masses, by the struggle of the armed people. The bourgeois onslaught of the Kornilovites show that we must not wait. We must at all costs, this very evening, this very night, arrest the government, having first disarmed the officer cadets, and so on. We must not wait! We may lose everything! Who must take power? That is not important at present. Let the Revolutionary Military Committee do it, or "some other institution" which will declare that it will relinquish power only to the true representatives of the interests of the people, the interests of the army, the interests of the peasants, the interests of the starving. All districts, all regiments, all forces must be mobilized at once and must immediately send their delegations to the Revolutionary Military Committee and to the Central Committee of the Bolsheviks with the insistent demand that under no circumstances should power be left in the hands of Kerensky and Co.... not under any circumstances; the matter must be decided without fail this very evening, or this very night. History will not forgive revolutionaries for procrastinating when they could be victorious today (and they certainly will be victorious today), while they risk losing much tomorrow, in fact, the risk losing everything. If we seize power today, we seize it not in opposition to the Soviets but on their behalf. The seizure of power is the business of the uprising; its political purpose will become clear after the seizure.... ...It would be an infinite crime on the part of the revolutionaries were they to let the chance slip, knowing that the salvation of the revolution, the offer of peace, the salvation of Petrograd, salvation from famine, the transfer of the land to the peasants depend upon them. The government is tottering. It must be given the death-blow at all costs. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Text Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Call to Power!" Subject The topic of the resource October Revolution Description An account of the resource October 1917. Lenin's "Call to Power'" was meant to mobilize Russians to take over power from Alexander Kerenski's Provisional Government. Creator An entity primarily responsible for making the resource Lenin Date A point or period of time associated with an event in the lifecycle of the resource 1917 Contributor An entity responsible for making contributions to the resource Fall 2016 European History group A Format The file format, physical medium, or dimensions of the resource PDF Language A language of the resource English translation from Russian Type The nature or genre of the resource Text Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1917 communism lenin October Revolution russia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Conquerors of the Bastille before the Hotel de Ville Subject The topic of the resource Liberalism Description An account of the resource This is an oil on canvas painting called The Conquerors of the Bastille before the Hotel de Ville by a French artist named Delaroche Hippolyte. This painting was created in 1789 when people were on the verge of protests and rebellions of the revolution. The painting depicts a scene of chaos and clamour among people in front of a hotel. There are luggages and suitcases flying everywhere which shows the distress. This painting can be essential to the topic of liberalism as it tries to portray a scene from a time period where the country was going through so many changes politically, economically and socially. Creator An entity primarily responsible for making the resource Anvitha Bollarpanda Source A related resource from which the described resource is derived http://www.pbslearningmedia.org/resource/xir71739fre/the-conquerors-of-the-bastille-before-th-xir71739-fre/ Date A point or period of time associated with an event in the lifecycle of the resource 1789 Contributor An entity responsible for making contributions to the resource PBS.org Type The nature or genre of the resource Painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adam Smith: The Principle of the Mercantile System, 1776 Subject The topic of the resource Modern History Description An account of the resource This source is helpful as it provides evidence that the economy was going through various changes and this source in particular, discusses about the Mercantile System. This economic theory and practice was dominant in modernized parts of Europe during the 16th to the 18th century, that promoted governmental regulation of a nation's economy for the purpose of augmenting state power at the expense of rival national powers. Source A related resource from which the described resource is derived http://legacy.fordham.edu/halsall/mod/1776asmith-mercsys.asp Publisher An entity responsible for making the resource available London Press Date A point or period of time associated with an event in the lifecycle of the resource 1776 Contributor An entity responsible for making contributions to the resource Anvitha Bollarpanda Type The nature or genre of the resource A document from a book https://d1y502jg6fpugt.cloudfront.net/18308/archive/files/a31ca86ac9a33ee41d78f0d09163db93.jpg?Expires=1793232000&Signature=oXhjiIcr4PNExzG%7EWw%7EawoES173PKuCeqMvS7Epq3m8mN5xtJowVf68Xl3li0WkqDL6Zm5%7EdkTDW00EcSzBQ3Cn1OHjZ%7EZ9zqSFhtHUM%7EE-0-jtPd%7ExYVKZq8Oo2vsiSrTJqcv3dpvA%7E7tG-oNrd1%7EfTWAx8ruJl0E8hFgq6VeQ3InJN85%7Et14S-1RdHFoPl8x243TehLtixQbsEJYRN3EskXtUe5tBnM5GtCHCyH5gYgFyG60MSgq-fkYgVEaYn8uce2FQ7YirXdN8Yw1SBebqnNl%7ENzzRURBzZFF7JDAE6JcVnTB0UA8EqpFrmPJotCdZFAQs9IeIem-nbrpmgCQ__&Key-Pair-Id=K6UGZS9ZTDSZM 5ab06b9a84202f051d445bb396e138ee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Harvest of Battle Subject The topic of the resource World War I Description An account of the resource The painting shows the aftermath of World War I. There are smoke in the background, corpses on the ground, and a long line of wounded men walking at dawn. If you look closely there are soldiers wearing different uniforms lending on each other and helping each other walk. Creator An entity primarily responsible for making the resource Christopher Nevinson Source A related resource from which the described resource is derived http://www.iwm.org.uk/collections/item/object/20223 Date A point or period of time associated with an event in the lifecycle of the resource 1919 Contributor An entity responsible for making contributions to the resource Anna Lu Type The nature or genre of the resource Painting https://d1y502jg6fpugt.cloudfront.net/18308/archive/files/956e2eaffd767d0aa6aa2746a0c6393e.jpg?Expires=1793232000&Signature=O5hOJhlT26Oib8qxpg%7EzKCV7t4z70okxjZN164qjlz08NTtRdfae8MYQrPcw6ZuUIkTRkJZtiU3AmpYdOWbZS3WON9-BUUW-ZBP7LskOO%7EoRyel8yCR9qYNvrcHjql9HxjlS-T2WzUguUvs5Bc0Fmu%7EjA%7EFNSk0oo2L0wJH71KbLAkPWH7PgrRv%7EHmfieEunjr2chfyPlVP-D4Mh7uVDLCSShStu5woYrrz-lR%7ERlhEy1owEXvDMLC9qcVvgUqrO6s1fxzBKhh2JKjk4vtTeu0xA7VOwVG1AlgRJUtwfQMVUKQaQYTT-nPx4q7nY8AGF2IR0SAroEQ2Gl4DhM8uvUw__&Key-Pair-Id=K6UGZS9ZTDSZM f3e1a5bd0291d55c7edac7341ca832ca Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource End of World War I Description An account of the resource A picture taken after World War I. Captain Paget MC and Second Lieutenant Barry MC of the 1st Battalion, Irish Guards, reading full details of the armistice with Germany. They all crowd around the one reading the armistice. All military operations had ceased. Creator An entity primarily responsible for making the resource Ernest Brooks Source A related resource from which the described resource is derived <a href="http://www.iwm.org.uk/history/how-did-the-armistice-end-the-first-world-war#&amp;gid=1&amp;pid=1">http://www.iwm.org.uk/history/how-did-the-armistice-end-the-first-world-war#&amp;gid=1&amp;pid=1</a> Date A point or period of time associated with an event in the lifecycle of the resource November 12, 1918 Contributor An entity responsible for making contributions to the resource Anna Lu Type The nature or genre of the resource Picture Subject The topic of the resource World War I https://d1y502jg6fpugt.cloudfront.net/18308/archive/files/644ea124e164e0f263a2b4a806246585.gif?Expires=1793232000&Signature=Ek5bLy6BDlCC4M6NYTJ1c993fCP5UvHW5sVuEIGBeI5hdBhDcRPHE1pUTP6HZ5Ow-lDY6bEYT62aT32akV7w1yOvLFtwamtEUGe4Zvr%7EUXiWQtR2I%7EyQLBCZhUhkW4VaZxsmL1xT9W6BI%7Ed7F3U2EoK5v1-ZWZxjwQPVK7Gf%7Eb5rZtkhQxRmpEOM56jqtf1vAyhufjRiYaltZ4XDKiy68G8q12KFz579cyMx8Ge2HYrVfppsyh8ufd%7ERVSXersQOxibxyWneDgLUblRUHk782BA8yvSuVcnhULsJuYqLN7AFDZ4oyXMBP3h3073ChXunvup7ZAKjKj28atlvQaLP%7Ew__&Key-Pair-Id=K6UGZS9ZTDSZM fc9dbe13ea6486ea04af5179e5c29f2e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Armistice Signed, End Of The War! Berlin Seized By Revolutionists; New Chancellor Begs For Order Description An account of the resource A newspaper article about the end of World War I. The armistice was signed, which stated the end of the war. Berlin seized meaning that Germany lost the war. Ousted Kaiser flees to Holland means that the King of Germany is no long in power. Source A related resource from which the described resource is derived http://www.nytimes.com/learning/general/onthisday/big/1111.html#headlines Publisher An entity responsible for making the resource available The New York Times Date A point or period of time associated with an event in the lifecycle of the resource Nov 1918 Contributor An entity responsible for making contributions to the resource Anna Lu Language A language of the resource English Type The nature or genre of the resource Newspaper Article Subject The topic of the resource World War I Creator An entity primarily responsible for making the resource The Associated Press Hyperlink A link, or reference, to another resource on the Internet. URL http://www.cvce.eu/en/obj/address_given_by_willy_brandt_to_the_bundestag_on_the_building_of_the_berlin_wall_bonn_18_august_1961-en-8c749afa-e8ac-4840-ac25-3568a2d1a4d9.html Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Address given by Willy Brandt to the Bundestag on the building of the Berlin Wall (Bonn, 18 August 1961) Subject The topic of the resource Berlin 1961 Description An account of the resource This source is an address to the people of Berlin made by Willy Brandt on August 18th, 1961 and his opinion of the creation of the Berlin Wall. In his address, he clearly states that this wall was a “violation of human rights” and that now more than ever, Berlin needed the aid of its allies in order to help Berlin from being “brutally destroyed” and divided even more. He explains in this source that the “illegal” occupation of East Germany by the Soviet Union was an action against the liberal Western sphere that greatly affected everyone and not just the USSR’s sphere. Creator An entity primarily responsible for making the resource Willy Brandt Source A related resource from which the described resource is derived http://www.cvce.eu/en/obj/address_given_by_willy_brandt_to_the_bundestag_on_the_building_of_the_berlin_wall_bonn_18_august_1961-en-8c749afa-e8ac-4840-ac25-3568a2d1a4d9.html Publisher An entity responsible for making the resource available Luxembourg Date A point or period of time associated with an event in the lifecycle of the resource August 18th, 1961 Contributor An entity responsible for making contributions to the resource Cindy Serrano Format The file format, physical medium, or dimensions of the resource Text Language A language of the resource English Hyperlink A link, or reference, to another resource on the Internet. URL http://www.cvce.eu/en/obj/cartoon_by_lang_on_the_berlin_wall_16_august_1961-en-f93aa981-2068-4318-95e1-d449b52ccfb7.html Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "The Cutting" Subject The topic of the resource Berlin and the USSR Description An account of the resource This political cartoon is depicting Walter Ulbricht, the First Secretary of the East German Communist Party who was one of the people who ordered the Berlin Wall to be constructed. In this cartoon, Lang draws Ulbricht as a giant sitting on Berlin. He is holding the Soviet Unions symbol of a hammer and sickle to “trap” Eastern Germany from escaping to the Western side, which is barricaded by on of his large legs. In the cartoon, the trapped side of Eastern Germany seems to be desperately but poorly trying to climb the “wall” which is his leg, it is titled, “The Cutting.” Creator An entity primarily responsible for making the resource Ernst Maria Lang Source A related resource from which the described resource is derived http://www.cvce.eu/en/obj/cartoon_by_lang_on_the_berlin_wall_16_august_1961-en-f93aa981-2068-4318-95e1-d449b52ccfb7.html Publisher An entity responsible for making the resource available Luxembourg Date A point or period of time associated with an event in the lifecycle of the resource August 16,1961 Contributor An entity responsible for making contributions to the resource Cindy Serrano Format The file format, physical medium, or dimensions of the resource Political Cartoon / Image Language A language of the resource German Hyperlink A link, or reference, to another resource on the Internet. URL http://www.cvce.eu/en/obj/cartoon_by_lang_on_the_berlin_question_1961-en-e2860faa-5338-4c4b-acea-2da780c37816.html Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Thus far and no further" Subject The topic of the resource USSR and US relations over Berlin Description An account of the resource In this cartoon, Lang represents the Soviet Union as an ogre-representing communism. Capitalism is represented through a caricature of President Kennedy who is waving a warning and cautionary finger at the ogre who is biting his lower leg labeled “Berlin”. In this cartoon, Lang was trying to explain that the occupation of Eastern Germany by the Soviet Union was all that the capitalist nations like the U.S. would tolerate stating “Thus far and no further…” drawing the line at Berlin representing the Berlin Wall. Creator An entity primarily responsible for making the resource Ernst Maria Lang Publisher An entity responsible for making the resource available Luxembourg Date A point or period of time associated with an event in the lifecycle of the resource 1961 Format The file format, physical medium, or dimensions of the resource <span>http://www.cvce.eu/en/obj/cartoon_by_lang_on_the_berlin_question_1961-en-e2860faa-5338-4c4b-acea-2da780c37816.html</span> <div>&nbsp;</div> Language A language of the resource German Type The nature or genre of the resource Image/ political cartoon Contributor An entity responsible for making contributions to the resource Cindy Serrano